All Issue

2023 Vol.42, Issue 1 Preview Page

Research Article

31 January 2023. pp. 75-82
Abstract
References
1
G. Husain, W. F. Thompson, and E. G. Schellenberg, "Effects of musical tempo and mode on arousal, mood, and spatial abilities," Music Perception, 20, 151-171 (2002). 10.1525/mp.2002.20.2.151
2
S. B. Kamenetsky, D. S. Hill, and S. E. Trehub, "Effect of tempo and dynamics on the perception of emotion in music," Psychol. Music, 25, 149-160 (1997). 10.1177/0305735697252005
3
L. Jaquet, B. Danuser, and P. Gomez, "Music and felt emotions: how systematic pitch level variations affect the experience of pleasantness and arousal," Psychol. Music. 42, 51-70 (2014). 10.1177/0305735612456583
4
P. Gomez and B. Danuser, "Relationships between musical structure and psychophysiological measures of emotion," Emotion, 7, 377-387 (2007). 10.1037/1528-3542.7.2.37717516815
5
P. N. Juslin and P. Laukka, "Communication of emotions in vocal expression and music performance: Different channels, same code?," Psychol. Bull. 129, 770-814 (2003). 10.1037/0033-2909.129.5.77012956543
6
F. Morreale, R. Masu, A. D. Angeli, and P. Fava, "The effect of expertise in evaluating emotions in music." Proc. ICME3, 16, 374-381 (2013).
7
Y. Liu, G. Liu, D. Wei, Q. Li, G. Yuan, S. Wu, G. Wang, and X. Zhao, "Effects of musical tempo on musicians' and non-musicians' emotional experience when listening to music," Front. Psychol. 9, 02118 (2018). 10.3389/fpsyg.2018.0211830483173PMC6243583
8
E. Bigand, R. Parncutt, and F. Lerdahl, "Perception of musical tension in short chord sequences: The influence of harmonic function, sensory dissonance, horizontal motion, and musical training," Percept. Psycho. 58, 125-141 (1996). 10.3758/BF03205482
9
P. G. Hunter, E. G. Schellenberg, and U. Schimmack, "Feelings and perceptions of happiness and sadness induced by music: Similarities, differences, and mixed emotions," PACA. 4, 47-56 (2010). 10.1037/a0016873
10
P. N. Juslin and E. Lindström, "Musical expression of emotions: Modelling listeners' judgements of composed and performed features," Music Analysis, 29, 334-364 (2010).
11
J. J. Aucouturier and F. Pachet, "The influence of polyphony on the dynamical modelling of musical timbre," PRL. 28, 654-661 (2007). 10.1016/j.patrec.2006.11.004
12
S. Droit-Volet, D. Ramos, J. L. O. Bueno, and E. Bigand, "Music, emotion, and time perception: the influence of subjective emotional valence and arousal?," Front. Psychol. 4, 00417 (2013). 10.3389/fpsyg.2013.0041723882233PMC3713348
13
P. Loui, J. P. Bachorik, H. C. Li, and G. Schlaug, "Effects of voice on emotional arousal," Front. Psychol. 4, 00675 (2013). 10.3389/fpsyg.2013.0067524101908PMC3787249
14
E. Schubert, "Modeling perceived emotion with continuous musical features," Music Perception, 21, 561- 585 (2004). 10.1525/mp.2004.21.4.561
15
J. Berg and J. Wingstedt, "Perceived properties of parameterised music for interactive applications," JSCI. 4, 65-71, (2006).
16
A. W. K. Yeung and N. S. M. Wong, "The historical roots of visual analog scale in psychology as revealed by reference publication year spectroscopy," Front. Hum. Neurosci. 13, 1-5 (2019). 10.3389/fnhum.2019.0008630914939PMC6423150
17
T. Hakanpää, T. Waaramaa, and A. Laukkanen, "Emotion recognition from singing voices using contemporary commercial music and classical styles," Journal of Voice, 33, 501-509 (2019). 10.1016/j.jvoice.2018.01.01229478708
18
W. G. Collier and T. L. Hubbard, "Musical scales and brightness evaluations: Effects of pitch, direction, and scale mode," Musicae Scientiae, 8, 151-173 (2004). 10.1177/102986490400800203
19
G. D. Webster and C. G. Weir, "Emotional responses to music: Interactive effects of mode, texture, and tempo," Motiv. Emot. 29, 19-39 (2005). 10.1007/s11031-005-4414-0
20
P. G. Hunter, E. G. Schellenberg, and U. Schimmack, "Feelings and perceptions of happiness and sadness induced by music: Similarities, differences, and mixed emotions," PACA. 4, 47-56 (2010). 10.1037/a0016873
21
P. Gomez and B. Danuser, "Relationships between musical structure and psychophysiological measures of emotion," Emotion, 7, 377-387 (2007). 10.1037/1528-3542.7.2.37717516815
Information
  • Publisher :The Acoustical Society of Korea
  • Publisher(Ko) :한국음향학회
  • Journal Title :The Journal of the Acoustical Society of Korea
  • Journal Title(Ko) :한국음향학회지
  • Volume : 42
  • No :1
  • Pages :75-82
  • Received Date : 2022-01-05
  • Revised Date : 2022-12-29
  • Accepted Date : 2023-01-05